Mahler is a curious composer—a bold visionary whose art is full of contradictions. His guiding philosophy was perhaps best summed up in a famous conversation he had with Finnish composer Jean Sibelius in 1907. As Sibelius recounted later,
“When our conversation touched on the essence of symphony, I said that I admired its severity and style and the profound logic that created an inner connection between all the motives. This was the experience I had come to in composing. Mahler’s opinion was just the reverse. “Nein, die Symphonie müss sein wie die Welt. Sie müss alles umfassen.” (No, the symphony must be like the world. It must embrace everything.)
That quote perfectly captures essence of Mahler’s music. It is a collision of thoughts, emotions, ideas and sensations that are constantly intersecting and interacting with each other. At times, it’s as if you were reading a story where each paragraph was written by a different author in a different style—such as Shakespeare followed by the Brothers Grimm, Emily Dickinson, William Faulkner, Herodotus and O. Henry.
In the end, the cumulative effect is stunning, touching on all parts of the human experience… and vividly recreating the totality of human experience. It is no wonder why so many love his music.
Mahler’s music isn’t at all hard to listen to, but it is a wonderfully challenging to fully comprehend it. It rewards—if not requires—repeated listening and conversations to grasp its many layers.
The Second Symphony, Resurrection, is a magnificent example of Mahler’s achievement, and one of the easiest to get your arms around. It is a work about loss and a plunge into darkness… before finding inner strength and a renewed hope that allows you to rise to a new level of existence greater you had known before. It is about rebirth and new glory.
Let me explain a bit about why you don’t want to miss Osmo Vänskä, the Minnesota Orchestra, and the Minnesota Chorale’s performance of it… plus a few words about the circumstances surrounding the creation of this CD, which have been, and continue to be incredibly meaningful for me. Continue reading