The Minnesota Orchestra asked me to provide program notes in Showcase magazine for the upcoming concert of Ralph Vaughan Williams’ Dona Nobis Pacem. Since I love both the composer and the work, I was all too happy to comply. You can see the pages here; but with the Orchestra’s support, I’m also providing my program notes below.
Please come out this concert if it is at all possible—it features powerful music that calls on us to remember our shared humanity and work for peace. Plus, the concert serves as a reunion with our artistic partners from South Africa! The work will be performed with the Minnesota Chorale, Gauteng Choristers, and 29:11, along with soloists Goitsemang Lehobye and Dashon Burton. Tickets and further information are available at the Orchestra’s website, here.
And look for me among the singers… I’m thrilled to be performing in this concert, too!
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Fall is here!
It’s a magical time of year when iced tea gives way to apple cider, and school buses start to nudge out ice cream trucks on neighborhood streets. With dusk coming on earlier and earlier, there’s a new crispness to the air (at least there should be… we’ve had a run of summer-like weather here in Minneapolis…).
In honor of the new season, let me provide a listening guide to some of my favorite autumn-themed works of classical music, listed alphabetically by composer. Please feel free to share your own favorites in the comments. Enjoy! Continue reading
Minnesota Orchestra is finishing up its amazing Sommerfest summer season this weekend… and let me be blunt. I need you to stop reading this post—stop whatever you’re doing—and go immediately to get tickets to see the grand finale, La Pasión según San Marcos (“The Passion According to St. Mark”) being performed on August 2 and 3. Go. I’ll wait.
No, I’m serious. Go. Right now.
I don’t care that you think you’re “busy.” I don’t care that you’re actually out of town on vacation. I don’t care who is getting married. Just go get your tickets. You will thank me later.
Okay… back? Great! Now, let me say a few words about why I’m so excited. Continue reading
You know, in my many years as an arts administrator, I’ve seen my share of wrong-headed thinking about the arts. I’ve seen ideas that seemed good at the time turn out to be disastrous. I’ve seen great ideas languish because too little effort was done to make them work.
But the last couple of weeks watching the leadership of the Baltimore Symphony Orchestra (BSO) flail around has been truly awe-inspiring.
This week, the true extent of this galactically bad thinking was laid out in an article in the Baltimore Sun. An article where supposed leaders of the organization openly muse on folding up a 103-year old organization and (maybe) creating a replacement.
This isn’t a case of not being able to see past blind spots. This isn’t a case of being overly ambitious.
No, this is a case of willfully embracing a wrong-headed strategy solely on ideological grounds, and being willing to burn down an existing organization to possibly create a hypothetical new one more to their liking.
To be blunt, this is an example of astonishingly short-sighted thinking, warped by ideology, presented by way of a bad-faith argument, that shows profound ignorance of how the world works, and is setting up the organization for an epic failure.
Let me draw directly from the article to explain.
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Summer is here! Well, at least for those of us in the northern hemisphere…. Summer is almost always portrayed as a life-affirming season, if an occasionally lazy one, where life is to be savored to its fullest.
“Midsummer Eve,” c.1908 by Edward Robert Hughes
I’m tempted to hang up a “Gone Fishin’” sign myself and run off to the lake… but instead, let me share a few classical works from a variety of genres that perfectly embody summer in all its hedonistic glory.
Cheers! Continue reading
Well… it’s déjà vu all over again. In fact, it’s so déjà vu all over again that there’s no point in trying to come up with a different cliché to describe what’s going on.
For those who had not heard, the management of the Baltimore Symphony Orchestra (BSO) has locked out its musicians, following a pattern of strong-arm tactics that has attempted by the leaders of several other classical music organizations all over the country.
At this juncture, it’s fair to wonder aloud why a management would attempt this same tactic. Famously, this bit of hard-ballism failed spectacularly in places like Minneapolis, Atlanta, and elsewhere. But it was more than just some tactical failure—again and again, as other voices/actors in the community really started paying attention, and began digging into the justification for the strong arm tactics, these justifications fell apart. Deeper analyses revealed that the managements’ positions were frequently built on shady finances, bad-faith negotiations, short-term thinking, and groupthink, and primarily driven by simple hostility to unions. Again and again, the realization that these various managements were being less than candid about their tactics and grand strategies led to a ferocious backlash from the community. And again and again, this community backlash led to the forced removal of the managements that tried to play hardball in the first place.
Simple self-preservation would suggest that managements would drop strong-armism as a tool in their toolkits.
Alas, this doesn’t seem to be the case.
I’ll be keeping my eye on this dispute as it unfolds—the eye of an interested outsider who has seen this play out way too many times before, and has lost all patience for this kind of nonsense.
On that note, a few comments about the self-serving message the BSO management sent out to the orchestra’s supporters. Continue reading
Curious. Once again, we’re hearing complaints that an arts organization—today, the Baltimore Symphony Orchestra (BSO)—is not supporting itself strictly on ticket sales, and therefore needs to come up with a new business plan. Continue reading